| As the Founder Secretary of peer bodies like Bombay Cine Musicians' Association and Bombay Cine Music Directors' Association, Balsara earned the love and respect of his associates and young musicians.
Basking in the audience appreciation during a musical soiree in Kolkata's Hindustan Park in 1953, the young musician decided to make this cultural capital his home a year later with a prized film assignment 'Agni Pariksha'.
At the coveted New Empire Theatres, he charmed audiences again in 1962 arranging music for Rabindranath Tagore's celebrated play 'Debatar Grash' while debuting his own group the Indian Symphony Orchestra.
He gave Kolkata another first -- the city's maiden stereo recording in 1970 -- when he put together 'The Sound of Music' recording strains of four Indian instruments in one album.
He had to his credit numerous popular film albums, both in Hindi and Bengali, a language he chose to speak more frequently in and with much more ease than his native Gujrati.
From the obscure 'Circus Girl' in 1943 to O Panchi, Rangmahal, Madmast, Talash, Char Dost, Vidyapati and Pyar in Hindi to Madhu Shraboni, Joy Baba Baidyanath, Maa, Chalachal, Panchatapa, Subho Bibaha, Manik, Kanchan Kanya, Panna and Pathey Holo Dekha in Bengali, he had an enviable repertoire.
Balsara who was greatly influenced by western music learnt to play the piano from Hildafield, a German musician. His knowledge of the piano made him use it to play Indian classical music also with ease. He mastered the technique of using the instrument for playing Indian classical music from Muneswar Dayal of Gaya. He was equally at ease with string and wind instruments.
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