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Home Composers Donizetti, Gaetano

Donizetti, Gaetano

Gaetano Donizetti, b. Nov. 29, 1797, d. Apr. 8, 1848, was one of the great masters of 19th-century Italian opera. He pursued his musical studies in Bergamo under Johann Simon Mayr and in Bologna under Padre Stanislao Mattei and completed his first opera, Il Pigmalione, in 1816. In 1822 he enjoyed a tremendous success with the production of Zoraide di Granata in Rome. His first enduring opera, however, was Anna Bolena, which had its premier in Milan (1830). For a short time he was a professor at (then director of) the Conservatorio di San Pietro a Maiella in Milan. Widely traveled, he made successful visits to Paris, Vienna, and several other cities. Donizetti was a prolific composer, and his international fame grew. In 1845, at the height of his career, he developed a brain tumor that led to depression, paralysis, and periods of insanity. After spending some time in an asylum outside Paris, he was brought to his native Bergamo, where he died.

A brilliant composer of both tragic and comic opera, Donizetti was a master of vocal effect and dramatic situation. He often used historical subjects for his operas, as in Anna Bolena, Lucrezia Borgia (1833), Maria Stuarda (1834), Belisario (1836), and Caterina Cornaro (1843). He also drew heavily from the writings of Sir Walter Scott, as in his most popular opera, Lucia di Lammermoor (1835). His masterpieces of comic opera are L'Elisir d'amore (The Love Potion, 1832) and Don Pasquale (1842). Although he wrote most of his operas in Italian, he also set French texts for Paris, such as La Fille du regiment (The Daughter of the Regiment) and La Favorite (both 1840). Donizetti wrote some 70 operas, and his prolific output also includes symphonies, chamber music, piano works, songs, cantatas, oratorios, and masses (including a requiem on the death of Vincenzo Bellini). In 1984 a hitherto unknown Donizetti opera was discovered in London. Composed to French words in the early 1840s, Elisabeth was thought to have been partially adapted from an earlier unpublished Donizetti work Otto mesi in due ore (Eight Months in Two Hours, 1827).

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