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Home Composers Sibelius, Jean

Sibelius, Jean

{sib-ayl'-ee-us}

Jean Sibelius, b. Dec. 8, 1865, d. Sept. 20, 1957, was Finland's greatest composer and a major postromantic musical figure. He trained for a career in law but was drawn to music. Initially hoping to be a violin virtuoso, his studies, first in Helsinki, then in Berlin and Vienna, led him to composition. Back in Helsinki (1893), Sibelius became associated with a circle of artists and writers dedicated to Finnish cultural expression and political independence. Among his early patriotic works was his famous Finlandia (1899). From the Finnish national epic, the Kalevala, he drew inspiration for such orchestral works as the Kullervo Symphony (1892), the Four Legends (1893-95; including The Swan of Tuonela), and Pohjola's Daughter (1906).

Sibelius taught at Helsinki Conservatory until a government pension, granted in 1897, freed him for full-time composition. In 1892 he married composer Armas Jarnefelt's sister Aino, and a decade later they built a country home, Ainola, near Jarvenpaa, where he lived until his death. By then he had become a national legend, and his birthdays were national festivals. He made only brief trips abroad, mainly to Britain and the United States, teaching at the New England Conservatory in 1914.

Sibelius developed a personal and characteristic style of concision, germinating rather than developing thematic material and carefully controlling orchestral color. The symphonic poem was an important vehicle for him, from En Saga (1893-1901), his earliest masterpiece, to the lean Tapiola (1925), his final major work. His seven symphonies (1899-1924), which evoke haunting images of the Finnish landscape through intense orchestral harmonies and folk motifs, are his greatest claim to fame as a composer. His violin concerto (1903) is a repertoire mainstay. He wrote many piano pieces and the string quartet called Voces intimae (1919). A composer of a number of songs (to both Finnish and Swedish texts) and choral works, he also made two unsuccessful attempts at opera.

By the late 1920s, Sibelius ceased active composition. Warmly championed in Britain and the United States especially, his music continues to hold a place in the concert repertoire.

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