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A shadava audava janya raga derived
from the 28th mela Harikambhoji. In certai cases this
raga admits of 2 types of arohana and avarohana. An
upanga raga in which Pa occurs once in a while s n d
n p d n s ; s r g m p m g r s ; npgrs phrases occur
as visesha prayogas. Ga^ Ma^ Dha and Ni are the raga
caya svaras sdp is an visesh prayoga. This tristhayi
raga is best when sung in the evening. The raga evokes
karuna and bhakthi rasas. According o krama arohana
and avarohana Pa is deleted. In Hindusthani Music Natakurinji
is also known as Natakarunji. The main difference between
the to is that in Hindusthani music thi raga has vakra
sanchara in arohana alone whereas in the carnatic music
vakra sancharas occur in both. |
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